Sacred Bridge Reborn, “FOCUS”

[Jakarta, LTTW] January 13, 2019, our parent organization, Sacred Bridge, is reborn.

In the eyes of Sacred Bridge, “reborn” is not merely rebirth, but also rethinking and revisiting its fundamental values based on guidance of the past and present life to re-establish (including re-evaluate) the foundation towards the future. One of the Sacred Bridge founders, Serrano G. Sianturi (1960-2019) mentions, “changes can only happen on the ground,” captures the very spirit of Sacred Bridge “Reborn”. This will manifest in its plan to return to fieldwork, as the foundation used to do.

This New Year “celebration” was delivered through a warm and humble event where inclusivity is prioritized and art is highlighted. Such celebration meant to re-introduce what Sacred Bridge is all about, to share the foundation’s future agenda, and to encourage the guests to focus on recognizing their roles and functions in society in order to tackle issues that matter today.

Comprised of three sections (Introduction, Theme, and Variations) the event was inspired by the classical form, preceded by the speech of Ginastera “Boo-boo” Sianturi, the acting chairman, on the foundation and its regeneration; restructure of the foundation boards, followed by a video recollection of Sacred Bridge programs (from 1998 to 2018) and forewords from the founders; Stephen Hill, Philippe Delanghe and I Nyoman Astita.

The second section, “Theme”, was marked with a live music presentation of “Gondang Pangharoanan”, a ritual “music” of Parmalim, followers of Malim religion (a native religion of Batak Toba, an ethnic group in North Sumatra) to mark the beginning of Si Paha Sada (first month of the New Year). As the music playing, the seed-sowing ritual was performed. While the Parmalim is sowing seeds, Sacred Bridge is sowing collective mind and heart.

“Gondang Pangharoanan” | Arranged collectively by musicians: Boo-boo Sianturi, Teodore I. Minaroy, Arie Irvan Harjakusumah, Mirza Elba Febrian, Erlangga Utama, Pradiva Sawarno, Irninta Dwitika | Photographed by Irza Rinaldi.

The above musical presentation is an attempt to interpret the original Gondang Pangharoanan in many respects. Performed by urban musicians who live distantly from nature, the value of ritual music and culture of Parmalim should be recognized. It portrays a living example of local culture that still manifests and safeguards the important relationships between human, nature, and deity, which modern men have ignored for a long time.

Nearly 20 years since the 21st century passed by, the advancement of human civilization is rapidly developing, while the real solutions of the world’s problems are yet to be resolved. Those problems often were answered only by technological innovations, politics and/or economy alone without giving a chance for a culture – including community involvement – to take the lead. Instead of a solution, it creates more complicated problems and causes confusions.

Discussion session | Photographed by Ruslan Gani

In the discussion session, the Sacred Bridge delivered a brief presentation of a sub-theme of the event, FOCUS, to encourage the guests to focus on their roles and functions within their community and society to preserve their environment. Environment for Sacred Bridge is a “home”; an identity (locality) and a natural mechanism of interconnectivity between human and its surroundings; other humans, animals, vegetation, gases, sounds, lights, visual, and even void. This event served as the representation of the environment. It only happens because there is interconnectivity between role and function, host and attendance, sharing and listening, active and passive and many more. The presentation also functioned as discussion point of departure that later occurred in the last section.

In the previous section, Sacred Bridge had a role to share while the guests were listening. In the peak event,“Variations”, the situation was reversed: the guests are invited to share their diverse perspectives on environment while the host was listening. The discussion flowed in healthy and engaging manner; many of us learned new things. However, some guests seemed to dominate the conversation instead of giving other participants a chance to speak their mind. Moreover, the conversation only focused on physical environmental problems such as waste, deforestation and climate change without further discussion on human relationship. It seems that this simple exercise managed to show the real problems in our society.

The discussion was closed with remarks from Sacred Bridge,”correspond to one’s role, persistence to focus on doing what’s matter is instrumental in order to build interconnectivity and mutual priority. So, what next?”

As a symbolical statement, Arts was chosen as a vehicle to underline the importance of “focus on doing”. In Sacred Bridge, it’s a tradition to utilize art as a medium to bridge one grid to another. The foundation believes that arts possess important roles and function to shape society. Not only is it a form of freedom of expression, but it also has the ability to move and unite people. Thus, series of arts performances as part of variations was set to become the finale of the event.

Art Exhibition of Fades art & design community, “Multi-perspectives” provide us with many perspectives in facing our environmental problems – both tangible and intangible | Artists: Ruslan Gani, Maria Junia, Adikara Rachman, Reydo Respati, Syabilli, Galib Harnaen Triputra| Photographed by Ruslan Gani.
The intricacies of Balinese interlocking pattern is presented well and clearly through a Western notational form in “Kotekan”, composed by I Nyoman Astita | Musicians: Boo-boo Sianturi, Teodore I. Minaroy, Arie Irvan Harjakusumah, Mirza Elba Febrian, Pradiva Sawarno | Photographed by Irza Rinaldi.
The choreography of “Energy” reflects on various fundamental manifestations of human interactions that stands in need of awareness, understanding, and mutual respect as a respond to environmental issue. Choreographed by Andhini Rosawiranti | Dancers: Andhini Rosawiranti, Irina Putri Sudarsono, M.M Kanya Anindita | Photographed by Irza Rinaldi.
The two famous folk songs from Jakarta “Kicir-Kicir” (unknown composer) and “Ondel-ondel” (composed by Djoko S.)) are arranged by Ginastera “Boo-boo” Sianturi into one repertoire “DJAKARTA” as a form of reflection on his childhood growing up in the city in which its identity keeps on diminishing | Musicians: Boo-boo Sianturi and Teodore I. Minaroy | Photographed by Irza Rinaldi.

Collaborative arts performances where artists from three different disciplines (music, dance, and visual) gather to create collectively as means to respond to the environmental issue. The “INTRA-ART” performance is a symbolic representation and a collective effort with the aim to establish and to nurture a Community of Practice | The team: Musician (Boo-boo Sianturi, Teodore I. Minaroy, Arie Irvan Harjakusumah, Mirza Elba Febrian, Erlangga Utama, Tri Yuniharto Wijoyono Sigit, Pradiva Sawarno), Dancer (Irninta Dwitika, Tri Prasetyaningtyas, Andhini Rosawiranti, Irina Putri Sudarsono, M.M Kanya Anindita, Soraya Nathasya, Saskia Anindita Utomo), Visual (Peter William, Ruslan Gani, Maria Junia, Gesa Febrian) | Photographed by Irza Rinaldi.

“Change happens where real people, their interests, and values, are engaged – not at or from international conferences.”

– Stephen Hill

 

(BP/BB/RR)

Contrary To Popular Belief, Oktoberfest Is Not About Drinking Beer

[Jakarta, LTTW] As the mayor of Munich shout o zapft is! (the keg is tapped) in front of the enthusiastic crowd, Oktoberfest was therefore started with a mighty cheer. After a period of time, some may think that the essence of the famed Bavarian festival is to drink loads of beer into oblivion.

If we look into the past, Oktoberfest did not start as a beer-drinking event. The festival can be traced to a wedding celebration taking place on 12th October 1810. It was a glorious day when Crown Prince Ludwig was married to Princess Therese of Saxony-Hildburghausen, thus making him King Ludwig I of Munich. The field where the royal event was held was renamed into Theresienwiese —which the locals simplified as wiesn or meadow.

Today, Bavarians celebrate the day with festivity. But it may be a surprise to some that the first Oktoberfest didn’t involve any beer at all. Yes, you read it right, no beer at all. Instead, the celebration was enlivened with horse races and a feast to honor the royal family, which marked the end of the festival on 17th October.

A year later in 1811, the horse race remained in the event because of the success that it brought, making it the first tradition that was repeated for years to come. An additional show called Agricultural Show was held to encourage the Bavarian agriculture and economy. Both shows were the core of this largest volkfest or folk festival in Germany.

The beer-drinking culture itself started in 1818, about 18 years after the first festival when beer pub owners participated by bringing in beverages. Since then, the original setting of the festival had ostensibly changed and made their way to become a mass drinking event. In 1938, the horse race was removed but it reportedly came to an end in 1960. Beer had beaten other traditions and become the superior symbol of Oktoberfest in the modern era.

Nowadays, Oktoberfest in Munich lasts for 15 days, starting from the end of September to compromise with the weather. It is filled with food and beverages, attractions, entertainment, and of course, the Bavarian heritage that can be seen in plain sight.

Beer of course is important as the beverage that represent the culture of Bavaria, but that doesn’t mean we could downplay Oktoberfest to just some beer-drinking festival. Oktoberfest should be a celebration of a nation, showcasing the proud Bavarian culture to the world that has lasted against the hourglass of time.

And for the world, Oktoberfest could and should become a symbol to celebrate life.

 

(BI/BP/RR/PS)

Art is a Mirror of Life: The Volterra Project

[Jakarta, LTTW] In 2007, world renowned Greek classical guitarist, Antigoni Goni, created The Volterra Project, Summer Guitar Institute in Volterra, Italy. This yearly summer school does more than just teach guitar techniques, but also educate young guitarists other fundamental components for musicianship. For its 2018 edition, Antigoni Goni was joined by guest lecturers English guitarist, Laura Snowden, and American guitarist, Stephen Robinson, in guitar master classes.

Photo courtesy of Volterra Project

According to its official website, Volterra Project’s mission is to help young guitarists develop well-rounded and non-competitive approaches to performing, foster a generation of accomplished young guitarists to prepare them for multiple aspects of performing careers, and to bring the guitar outside of traditional performance venues into places of community access. In the summer school, we can join guitar masters classes, seminars on music business management, and classes of music physiology (including luthier presentation) to re-discover the fundamental components of the guitarist; their own body and the music instrument itself.

Photo courtesy of Volterra Project

In a brief conversation with Listen to the World UK representative, guitarist Boo-boo Sianturi (who joined the program twice; in 2009 and 2012) said one of the music physiology lessons taught in Volterra Project is the Alexander Technique –– a methodical process that was created by Tasmanian actor Frederick Matthias Alexander (1869-1955) to change bad habitual patterns of movement and posture. Dancer and choreographer, Clare Maxwell, puts it as the technique that “…give you a way to develop the stamina to be present, the stamina to have fun. Boo-boo explained that the technique is a “scientified-Western-style of Tantra” because it focuses on the human spine; similar to the seven chakras . It seems the technique helps us to be aware of ourselves to maintain a healthy body, mind and soul. From actor, dancer, to guitarist; from arts, science, to conscience, Alexander technique really is fundamental.

Being A Better Human Being Through Music and Nature

The project is held at Inghrami Farms, Volterra, Tuscany in Italy; a rustic complex and beautiful countryside that provides interactions for students and teachers over a 10-day stay.

Because of the conservatory culture, classical musicians have a tendency to be more competitive. Here, Volterra Project’s aim is to steer away from this notion and provide environment where people can learn, exchange, and experience music with nature as its surrounding.

Photo courtesy of Volterra Project

At the Inghrami Farms, guitars and those who wield it will harmonize with the nature of Tuscany. In 2018, up to 14 students stayed at peaceful apartments in Villa di Scornello and Podere San Piero next to the Volterra countryside. Some may be surprised when taking the instrument out of a building and play it in nature where the sun shine upon, clouds float right on top, and trees accompany them. But for Sacred Bridge Foundation, it is necessary for music to re-discover the sacredness that once gave birth to music itself through the majesty of nature.

At the end, what Volterra Project offer to its student is a full experience that connects people with their own self — merging the body and mind as a part of nature. Utilizing guitar as an instrument that brings people into a spiritual journey, taking it further than just a musical education, altering them to be a better human being. Does playing and learning music in nature sounds strange? Or the other way around, how odd that today’s musician seem to distance themselves away from nature?

Young guitarists! What are you waiting for?

 

(BI/BP/PS)

Hay-on-Wye: “The Village of Books” that Runs With The Modern World

[Jakarta, LTTW] People spend their summer holiday in many ways: from visiting festivals or amusement parks with families and friends, to simply staying at home and binge watch on Netflix. But if you wish to find something that is out of your ordinary way of vacationing, where you are not only able to relax your body, but also to expand your mind, then you should set your next destination to “the village of books” Hay-on-Wye.

View of Hay | Photo courtesy of Hay-on-Wye, taken by Phil Thomas

Hay-on-Wye is a small village that lies on the Welsh side of the Welsh/English border. The town’s name is derived from Norman origin Hay or Haie (a fenced or hedged enclosure) where it stands on the southern side of the River Wye. The village has more than 20 bookshops (mostly secondhand) with a wide array of selection: children’s books, arts, thriller, etc.; all of which can be yours at a reasonable price. On the streets, you will find shelves full of books kept in the open air for the passerby – sometimes with sofa and chairs next to them. These places are known as “Honesty Bookshop” where, instead of paying the books at the cash register, you put the money in the designated box. In these bookshops, ethic is the currency.

The unmanned “Honesty Bookshop” | Photos courtesy of Shawn Anderson (above left) Chelsea Whyte (above right) and Claudio Mazzetti, with a slight cropping and adjustment (bottom)

The villagers seem to know that providing a unique bookshop alone is not very enriching. So, they created a festival that connects books and people, known as Hay Festival. This festival serves as a space for readers and writers to share stories and ideas. Bill Clinton famously regards this as the “Woodstock of the Mind”. Beside Hay Festival, the village also holds HAYDAYS (sub program of Hay Festival), a literary festival focusing on children and families. A couple of years ago, Hay Festival stepped in to save Hay’s public library when it had to deal with the threat of closure.

History shows that, before it was called “the village of books”, Hay-on-Wye was once a ghost town. After World War II, the villagers left their hometown for cities, hoping for a better job and life. But an eccentric man by the name of Richard Booth turned things around, who later claimed himself as The King of Hay-on-Wye.

After graduated from Oxford University, Booth decided to revive the village. In the ‘60s, he took a trip to the US and brought back thousands of secondhand books and opened the first bookshop in the village’s old fire station. From there, Booth started to collect more books and rented more buildings to serve as bookshops. The village eventually came back to life and has since become a tourist destination and a retreat for artists, musicians, writers, and intellects.

Richard Booth’s bookshop from outside and inside | Photo courtesy of ReflectedSerendipity (left) and duncan c (right)

It’s clear that books have become the cultural and economic foundation for Hay-on-Wye; such a perfect example of “good tourism” model where it combines economy, knowledge, and ethics. Perhaps not too many people realize it, but if we look into the first time Richard Booth initiated the book town, we can argue that Hay-on-Wye is not only one of the unseen results of Counter Culture Movement in the 60’s, but also one that continues to thrive.

As one of the earliest, Hay-on-Wye is no doubt the beacon of book towns across the world. Maharashtra, Bredevoort, and California’s Gold Cities are among book towns that were directly inspired by Hay-on-Wye. These towns are a very different place compared to the world we live in, where the existence of printed books are getting replaced by the digital version. One of the indications today is children are introduced to digital technology prior to books (and other physical activities).

What do you think? | Photo courtesy of Anders Sandberg

From historical perspective, the reason why human tend to replace and abandon old things is because the old are seen as irrelevant. And many people also believe that “change is the only constant in life”. From the eyes of Sacred Bridge Foundation, however, some things do not (and should not) change. Take books for example. As one of the sources of knowledge, books contain values that are irreplaceable by “digital book”; it sharpens our sensorimotor skill (especially for children). Such value must not be replaced since we won’t be able to comprehend, let alone to develop knowledge without it. Meanwhile, the advantages of digital book in terms of knowledge are secondary compared to the printed one (for example, it’s easy to carry). This explanation is not meant to underestimate digital book; on the contrary it is to make clear that both printed and digital books have their own functions. Rather than to replace and be replaced, it’s better if we find a way to maintain both of them.

*Detailed information to get to Hay-on-Wye.

 

(BP/RR/PS)

Source: globetellers.com, chicagotribune.com, smithsonianmag.com, theguardian.com I, theguardian.com II, and firstpost.com

Guiding and Hoping for a Better Future After the Indonesian Terror Attacks

[Jakarta, LTTW] All Muslims in the world have united as Eid al-Fitr had finally come after a holy month full of fasting. The celebration could be seen as a moment of brood and introspection, especially because this year’s Ramadan was opened with acts of terror that killed innocent lives in Indonesia – striking terrors to those who were affected directly and indirectly. People were left with anger, fear, and confusion in response to the terror attack.

According to Serrano Sianturi in his article titled Trump: Turning USA into Uncle Sam’s Abomination – Part Two “terrorism and its cruelties can grow because of various reasons, such as economic injustice, technological dominance, corrupt governance, low trust societies, power-hungry individuals and groups, and lack of cross cultural understanding and respect.” The aforementioned factors could lead to acts that goes beyond morality and common sense.

What we have seen in these particular terror acts in Surabaya are problematic in many level. One crucial matter is how children were used to participate in the suicide bombings. The word “used” is essential to underline because there is no way children would do this without “guidance” from someone. Adults are mostly aware of the choices they made; children on the other hand tend to follow guidance from other people such as their own families. Guidance is the keyword that made these children ultimately act as a suicide bomber just like their parents.

Fathers and mothers have a role to raise their children with ideals that can eventually be useful in society. They could and should teach children of norms such as religion, tradition, and even law. It gets problematic when the parents’ teachings contradict the common consensus of a nation, harming and even killing others, like the Surabaya bombings that was carried out by a family of five. A child can be guided to become a citizen who understands his rights and duties, or they can also be a vessel of hate that carries a bomb, killing and terrorizing others.

“The self is something which has a development; it is not initially there, at birth, but arises in the process of social experience and activity, that is, develops in the given individual as a result of his relations to that process as a whole and to other individuals within that process,” said George Herbert Mead in his book titled the Mind, Self, & Society (1934).

With that in mind, family plays a crucial role for children’s experience and activity. Although there are other groups or institution that can also guide them, school for instance, family is the number one and first source for them to grow. It’s up to families and all layers of society including us to guide the children in choosing which path they should take, for the betterment or deterioration of our world.

We pray to the victims of Indonesian terror attacks and hope for the best for this multicultural nation’s future. Lastly, we would like to wish Eid Mubarak for all Muslims and to all human being that coexist in this wonderful world. At its best, the holiday will give us a chance to cleanse our mind, body, and soul, so that we, including those who was affected by the terror attacks, will not submit to the chain of hateful revenge.

 

(BI/BP/PS)