[Jakarta, LTTW] Lee Kuan Yew’s funeral is held today, on March 30, 2015. As people around the World send their condolences to Singapore on the passing of the city-state’s founding father, differing opinions have formed over how the former Prime Minister should be remembered. But there is no doubt though, that the way Lee Kuan Yew has lead Singapore has had a profound effect not only upon Singapore, but also on the politics, economics, and culture of South East Asia and beyond.
Lee Kuan Yew is recognized as the founding father of modern Singapore. His national policies as Prime Minister—particularly up to the ’90s—has been marked by state-enforced repression of political dissent in Singapore’s parliament, political parties, media, and popular culture. And yet today Singapore is recognized as one of the most stable and prosperous economies in Asia, arguably more stable & prosperous than neighboring Thailand, Malaysia, and Indonesia.
Some have argued that Singapore’s socio-economic progress is no different than that of her neighbors, and some have argued that political repression in Singapore has not been ‘very repressive’. And yet after all that we cannot deny that Lee Kuan Yew’s perseverance and untiring, uncompromising effort has had a hand in all that has happened in Singapore as a Nation-State.
In speaking with the New York Times in 2010 on his legacy, LKY said, “I’m not saying that everything I did was right, but everything I did was for an honorable purpose.”
RIP Slamet Abdul Sjukur, Indonesian music composer
[Jakarta, LTTW] Indonesian Composer Slamet Abdul Sjukur passed away on March 24th, 2015. He died in Dr Soetomo General Hospital, in Surabaya, East Java, at 6.00am, Western Indonesia Time.
Born in 1935 in Surabaya, East Java, Slamet A. Sjukur has been noted as one of the pioneers in contemporary music in Indonesia. He was a lecturer at Institut Kesenian Jakarta (Jakarta Institute of Arts) for a little while before working fully as a freelance composer, teacher and music critic. Claiming to have studied and worked in Paris under Olivier Messiaen and Henri Dutilleux (see “Vox de Cultura – Classical Bang”), he stirred the music scene with his unconventional ideas, approaches and practices. His works are “notable for their minimal constellation of sounds and for their numerological basis which indicate the composer’s interest in a new ‘ecology of music’”. This idea views limitation not as obstructions but as a challenge to work with a simple material, maximally.
Indonesia owes a gratitude for his braveness and great effort in showing that crossing boundaries is one of the essentials in enliven and enrich the life of arts.
[Jakarta, LTTW] We are today, as a globalized humanity, plagued by hate among fellow men, hate upon each other. One form of this manifest hate is fueled by a fear and loathing of those who are of different ‘races’ to us.
But what exactly is racism? For example, sometimes Indonesians in Jakarta refer affectionately to white-skinned foreigners as the ‘bule’. Truth be told the term can be considered derogatory when we trace the term’s original meaning which can be translated more or less as “sickly pale”. But Indonesians may argue that ‘bule’ is a ‘term of endearment’. We do not mean ill when we use the term ‘bule’, in fact we love our ‘bule’ neighbors and we call him/her ‘bule’ because we are so close to each other. ‘Bule’, the argument goes, does not contain any negative/pejorative meaning.
And yet many scientific research efforts into human genetics have basically concluded that all humans of different “races” are basically genetically identical; that there are, in essence and scientifically, only one single human genetic race. Here in this article by columnist Adam Rutherford, it is argued once again that there are no scientific basis for racism. With links to contemporary genetic research and opinions from evolutionary research pioneers Charles Darwin and others.
When we think about it, racism is not the only issue where human behavior runs contradictory to scientific facts. For example in the case of environmental damage caused by how humans throw away their waste without care. And still we regularly throw trash into our rivers, causing flooding in our own neighborhoods.
So what do you think? Why are humans racist? Is there any such thing as “different human races”? And also, why do we keep failing to apply scientific learning in our daily lives? Feel free to publish a comment below if you feel otherwise.
In this Internet and Digital age, we increasingly witness many “purely digital” works and creations. Music has been composed & recorded using computers, with simulated instruments that sound “indistinguishable from the real thing”. Similarly with visual arts, the term ‘digital art’ and ‘digital artist’ has appeared where artists create visual works (of art) using (“purely digital”) tools. Some have even gone as far as to ask, “Do we really need ‘analog’ art anymore?”
There is no doubt that the digital world has evolved and expanded to affect many aspects of our daily lives, including art — visually and musically. But can we say that an artwork without first-hand experience and skill is a “piece of art”?
What are the consequences of using computers & digital tools to create Art? What are we losing when we depend so much on computer-based methods? What are we gaining (in exchange)? What about mass-replication of digitalized works of Art? Are we at risk of losing “analog” Art?